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A Streetcar Named Desire (New Directions Paperbook), by Tennessee Williams
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Review
“In Streetcar Williams found images and rhythms that are still part of the way we think and feel and move.†- Jack Kroll, Newsweek“Lyrical and poetic and human and heartbreaking and memorable and funny.†- Francis Ford Coppola“The introductions, by playwrights as illustrious as Williams himself, are the gem of these new editions.†- Ken Furtado, Echo Magazine“Blanche is the Everest of modern American drama, a peak of psychological complexity and emotional range.†- John Lahr, The New Yorker
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About the Author
Tennessee Williams (1911-1983) is the acclaimed author of many books of letters, short stories, poems, essays, and a large collection of plays, including The Glass Menagerie, A Streetcar Named Desire, Camino Real, Cat on a Hot Tin Roof, Orpheus Descending, The Night of the Iguana, and The Rose Tattoo.
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Product details
Series: New Directions Paperbook
Paperback: 224 pages
Publisher: New Directions; unknown edition (September 2004)
Language: English
ISBN-10: 9780811216029
ISBN-13: 978-0811216029
ASIN: 0811216020
Product Dimensions:
5.2 x 0.7 x 8 inches
Shipping Weight: 7.8 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
350 customer reviews
Amazon Best Sellers Rank:
#7,200 in Books (See Top 100 in Books)
In the published edition of his masterwork, "A Streetcar Named Desire", Tennessee Williams uses as an epigraph the following stanza from "The Broken Tower", probably the final poem written by the American romantic poet Hart Crane (1899-1932):"And so was it I entered the broken worldTo trace the visionary company of love, its voiceAn instant in the wind (I know not whither hurled)But not for long to hold each desperate choice."Crane wrote this difficult poem in 1932, shortly before his suicide. The poem speaks of Crane's efforts to capture the fire of the imagination and the gift of love in the course of an unhappy life. With his passionate romanticism and his lyricism, Crane was a deep and lifelong influence on Williams.It helped to think about the importance of Crane's lines when I revisited "Streetcar". They capture something of the way we are to understand Blanche DuBois The unhappy heroine of Williams's play did indeed live in a "broken world" of sundered dreams. She lost the remnants of Belle Reve, the family plantation in Mississippi, together with her self-respect. On her fateful visit to her sister Stella and her husband, the coarse, brutal Stanley Kowalski in New Orleans where the play takes place, Stella's world becomes broken again when she loses her last chance at love and her sanity.All Blanche has are her dreams and her attempt to find "the visionary company of love." She is a woman of illusions who attempts to hide the sordid details of her own past, including the suicide of her young husband, her attendant nymphomania, and her alcoholism from herself and from others. Her illusions cannot survive realistic scrutiny, particularly when they are exposed to Stanley. Blanche is unable to hold on to her last "desperate choice", similarly to the speaker in Crane's poem. As his own life progressed, Williams came increasingly to identify himself with Blanche DuBois, and perhaps these lines from Hart Crane apply to Williams view of himself as well.With its lurid, pulpy, and melodramatic story, Streetcar has always been a tempting target for critics. But in beautifully poetic language, the play raises certain timeless themes, including the search for love, the powerful and destructive force of sexuality, and the centrality of romance and imagination to give life meaning in a world of brute fact. In a short introduction he wrote to the play called "A Streetcar named Success" Williams suggested, following William Saroyan, that the theme of the play was that "purity of the heart is the one success worth having. `In the time of your life -live!'" The play and Blanche come to a sad end. But capturing Blanche's story in art gives the reader or viewer of the play a power to persevere, similar to the power given to art and love in Hart Crane's "The Broken Tower."Robin Friedman
There’s a strong drive and passion in many of the characters in A Streetcar Named Desire. A definite rawness in emotion and complexity is within many of the scenes and situations.I had read A Streetcar Named Desire once before, but never really caught on at how so much is working underneath the surface of the dialogue. In many estimations, Blanche is a character deeply rooted in pathos and tragedy. Her vision of what the world should be, as opposed to what it truly is, is at the center of her unhinging. Arriving to her sister’s apartment in New Orleans, she has taken a leave of absence from her teaching, and there are more undercurrent issues that have taken hold of her, most notably losing Belle Reve, their childhood home. At her opposite, Stanley, Stella’s husband, represents the brute, harsh, realities of the world.I think that, in many respects, Williams creates an intensity that builds as the play moves forward until the dramatic final scene. There is a power in Stanley and Blanche’s confrontations, especially in the final scenes as we learn more and more about Blanche’s past. These moments are written so eloquently, so human, clearly by someone who has experienced, witnessed, and reflected on the impact of human sufferings and failings. In short, clearly Williams was a man who could project real human situations into dialogue in such a clear, convincing way.A Streetcar Named Desire is a very powerful and thought-provoking play, with characters who breathe strong emotion throughout, making the scenes really come to life. It is no wonder that this epic play was made into a fine classic 1951 film with Marlon Brando as Stanley and Vivien Leigh as Blanche.
A masterpiece. Tennessee Williams may be the best contemporary playwright America has ever seen (may he rest in peace). The story is flawless, and the stage directions are so specific and meaningful. Every word is filled with intent, every color is painted through the text, and the message is timeless. The relationships the characters share are well flushed out and highly sophisticated. Williams even describes the music playing during scenes. I hope you read this over and over again, just as I do. A timeless classic, a masterpiece of American Theatre.
I knew nothing of Tennessee Williams when I bought this. The title implied something romantic or passionate. Nope. Just women abuse, rape, and crappy men. The author liked to confront society with it's screwed up ways. I can imagine the stir this as a play in its era would have caused. In today's world, it's not as enjoyable to read as it just leaves you feeling awful for women in that time.
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